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Nadezhda Albul (Albuliani) “Carlson”

Vasilissa Savrasova “Sound of distant foliage”

Irina Drozd “Don't look. It's not tasty.”

Nadezhda Albul (Albuliani) “My new Native”

Ivan Plsuch “After Chair. From the project After Everything.”

oil and acrylic on canvas

Ivan Plsuch “''After chair #18'' from the series ''After everyone''”

oil and acrylic on paper

Alexander Radtke “Forest magic is real”

Group of young artists curated by curator and artist Alexandra Ominina

Artur Dzharullaev “Graphics "Oil monsters"”

The fotocopy of industrial views, watercolor, ink, ballpen

Humanity is on the move. It goes up or down. This is a question. What development vector should I choose? A sharp, clear yellow dividing line warns of danger. Before you take the next step, you need to think

Nikolay Dmitrenko “Attention”

Group of young artists curated by curator and artist Alexandra Ominina

Artur Dzharullaev “Graphics "Oil monsters"”

The fotocopy of industrial views, watercolor, ink, ballpen

Alexander Radtke “Running to the Edge of the world”

Ivan Plsuch “''After you #2'' from the series ''After everyone''”

oil and acrylic on paper

Ksenia Pasyura “The Room”

Abram Mikhail “Painting wasp”

Abram Mikhail “Paintings”

Kerim Ragimov “The map”

Ivan Plsuch “''After you #1'' from the series ''After everyone''”

oil and acrylic on paper

Irina Drozd “Collectress”

Ivan Plsuch “''After chair #12'' from the series ''After everyone''”

Oil and acrylic on paper

Alexander Radtke “Tomorrow's flame”

Ivan Plsuch “''After you #7'' from the series ''After everyone''”

oil and acrylic on paper

Denis Shevchuk “No name”

Ivan Plsuch “''After porno #17'' from the series ''After everyone''”

oil and acrylic on paper

Irina Drozd “Drive to the beauty”

Oil on canvas, synthetic ceramics

Ksenia Pasyura “The Run”

Denis Shevchuk “Traffic”

Ivan Plusch “After you. From the series "After Everyone"”

Oil and acrylic on canvas

It is proposed to reflect on the topic: "The All-Seeing Eye" - the embodiment of everything that does not allow us to live in peace, excites and even torments us. What is it? Media influences? Psychological complexes? That which seems to pursue unceasingly is a conscience that does not give rest for any action; fear of the security services controlling all our actions; or it may feel that someone (close or not) knows your secret.

Realistically made eyes are like some wordless observers. They just look. And almost do not express emotions, because they should not give an assessment of what they saw, their purpose is only to observe. Man himself determines the assessment of his behavior, the assessment of himself. But at the same time he knows about the invisible spy who sees everything as real.

Katerina Borodavchenko “Observers”

oil on plywood, canvas

Kerim Ragimov “The Landscape”

Aleksandr Koks “Fifth wheeln”

Ksenia Pasyura “The Upper Layer”

Ilya Ovsyannikov “Underground”

Ivan Plsuch “After you. From the project After Everyone”

oil and acrylic on canvas

Vasilissa Savrasova “Heaven sound”

Kerim Ragimov “The landscape in Reddish and Greenish”

Ivan Plsuch “''After you'' from the series ''After everyone''”

Oil and acrylic on canvas

Ksenia Pasyura “The Hit”

Oil on canvasBitumen vanish

Group of young artists curated by curator and artist Alexandra Ominina

Artur Dzharullaev “Graphics "Oil monsters"”

The fotocopy of industrial views, watercolor, ink, ballpen

Ivan Plsuch “''After house #16'' from the series ''After everyone''”

oil and acrylic on paper

Vasilissa Savrasova “Evening light”

oilacrylicplasticLEDsmetal frame

Irina Drozd “Close your eyes. Here is a surprise for you.”

Ivan Plsuch “''After you'' from the series ''After everyone''”

Oil and acrylic on canvas

Denis Shevchuk “Sugar Free”

Ksenia Pasyura “Personal Boundaries”

Oil on canvasBitumen vanish

Kerim Ragimov “The Luga Forest”

Ivan Plsuch “''After you'' from the series ''After everyone''”

Oil and acrylic on canvas

Vasilissa Savrasova “And I am motionless among the flickering shadows and reflected lights”

oilacrylicplasticLEDsmetal frame

Ksenia Pasyura “Personal Boundaries”

Oil on canvasBitumen

Ivan Plsuch “''After house #6'' from the series ''After everyone''”

oil and acrylic on paper

Kerim Ragimov “The portrait of Osho”

Ivan Plsuch “''After porno #13'' from the series ''After everyone''”

oil and acrylic on paper

Denis Shevchuk “Walk”

Kerim Ragimov “The landscape in Reddish and Greenish”

Ilya Ovsyannikov “Appearance of Hercules”

Ivan Plsuch “''After you #11'' from the series ''After everyone''”

oil and acrylic on paper

Kerim Ragimov “Landscape”

Ksenia Pasyura “The Line”

Oil on canvasBitumen vanish

Derakhmadi “Fair deal”

AcrylicCanvasOil pastel

Ivan Plsuch “''After chair #9'' from the series ''After everyone''”

oil and acrylic on paper

Ksenia Pasyura “The Game”

Kerim Ragimov “The shadow of an Angel on the Persian carpet”

Ksenia Pasyura “The Conversation”

Oil on canvasBitumen

Group of young artists curated by curator and artist Alexandra Ominina

Artur Dzharullaev “Graphics "Oil monsters"”

The fotocopy of industrial views, watercolor, ink, ballpen

Kerim Ragimov “The landscape with the rice fields”

Alexander Radtke “Sleeping Waves”

Gergely Vegvari “For sale. Brand new willies. Overused. II”

Ivan Plsuch “''After you'' from the series ''After everyone''”

Oil and acrylic on canvas

Irina Drozd “Do you want some sweets?”

Alexander Radtke “Time”

Denis Shevchuk “Decogerancia”

Ivan Plsuch “''After porno #15'' from the series ''After everyone''”

oil and acrylic on paper

Alexander Radtke “The Distant Blue”

The work was made at CBFest 2020

Russia, Yekaterinburg

Denis Shevchuk “No name”

DASHA SU “W WORLD”

oilacryliccanvaslacquerpastel

Ivan Plsuch “''After porno #14'' from the series ''After everyone''”

oil and acrylic on paper

The motive for these works was the heraldic symbol " hand from the cloud".
The hand that comes out of the clouds signifies divine Providence; it is the hand of God the Father. I had no intention of scrupulously convey all the symbolic details and their interpretation. I was inspired by the external image. For example, the hands in my works are women's hands, and the gestures do not have a religious meaning, but are intuitive.
I gave to this motive volume. The formed hands arise from the element. The "clouds" is made from the real bark of the African mopane tree. The hands are painted in oil on figured plywood. Natural wood as a symbol of something miraculous, and realistically paited hands as a symbol of the connection of this unknowable element with a human.

Katerina Borodavchenko “Sign of Providence”

Irina Drozd “Quiet Steps”

Ivan Plsuch “After Chair. From the project After Everything”

oil and acrylic on canvas

Ivan Plusch “"After you" from the project "After Everyone"”

Oil and acrylic on canvas

Kerim Ragimov “The landscape in the red and green”

The work consisrts of two modules. It can be exhibited in the corner.

Denis Shevchuk “Slump”

Group of young artists curated by curator and artist Alexandra Ominina

Elena Isho “Oil-ice cream”

Chinese paper / ink, markers

Ivan Plsuch “After Chair. From the project After Everything.”

oil and acrylic on canvas

Ilya Ovsyannikov “Polis”

Alexader Radtke

Ivan Plsuch “''After porno #10'' from the series ''After everyone''”

oil and acrylic on paper

Vasilissa Savrasova “Out of time, out of matter”

Ivan Plsuch “''After chair #8'' from the series ''After everyone''”

oil and acrylic on paper

Alexander Radtke “Air and fire”

Ivan Plsuch “''After you'' from the series ''After everyone''”

Oil and acrylic on canvas

Gergely Vegvari “For sale. Brand new willies. Overused. I.”

Irina Drozd “Feeding”

Ksenia Pasyura “The Waiting”

Irina Drozd “Give your seat”

Ivan Plsuch “''After you #5'' from the series ''After everyone''”

oil and acrylic on paper

The motive for these works was the heraldic symbol " hand from the cloud".
The hand that comes out of the clouds signifies divine Providence; it is the hand of God the Father. I had no intention of scrupulously convey all the symbolic details and their interpretation. I was inspired by the external image. For example, the hands in my works are women's hands, and the gestures do not have a religious meaning, but are intuitive.
I gave to this motive volume. The formed hands arise from the element. The "clouds" is made from the real bark of the African mopane tree. The hands are painted in oil on figured plywood. Natural wood as a symbol of something miraculous, and realistically paited hands as a symbol of the connection of this unknowable element with a human.

Katerina Borodavchenko “Sign of Providence”

NADEZHDA ALBUL (Albuliani) “Cosmos”

Kerim Ragimov “The secret life”