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CONTEMPORARYSTREET ARTEVENTS
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DASHA SU “B&G”
55 x 80 cm
canvas without stretcher, acrylic, lacquer
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Derakhmadi “Time to pray”
86 x 2 cm
AcrylicCanvas
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Derakhmadi “Virgin”
92 x 2 cm
AcrylicCanvas
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for sale
DASHA SU “SPRING #2”
74 x 55 cm
acryliccanvas without stretcherlacquer
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for sale
DASHA SU “SPRING”
75 x 55 cm
acryliccanvas without stretcherlacquer
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Since ancient times any prints left on the ground attracted the attention of people from ancient times.
An imprint is a trace left by nature or man in time and space, a testimony of the past that we find in the present it is a sign of permanence in an everchanging world. In order to gane a more complete understanding of the processes of evolution, its causes, it is necessary to gradually restore the line of life, digging its fragments from the bowels of the earth, the most important repository of artifacts.
Daniil Arkhipenko “Observer”
70 cm
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Derakhmadi “Human origin”
90 x 2 cm
AcrylicCanvas
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Since ancient times any prints left on the ground attracted the attention of people from ancient times.
An imprint is a trace left by nature or man in time and space, a testimony of the past that we find in the present it is a sign of permanence in an everchanging world. In order to gane a more complete understanding of the processes of evolution, its causes, it is necessary to gradually restore the line of life, digging its fragments from the bowels of the earth, the most important repository of artifacts.
Daniil Arkhipenko “Observer”
70 x 70 cm
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*Frida Kahlo*
Rien n’est absolu. Tout change, tout bouge, tout tourne, tout vole et disparaît .
Féministe engagée et anticonformiste, Frida Kahlo s’est érigée au fil des années comme une véritable icône du monde artistique. Son mythe, elle l’a construit seule, en déjouant les rouages machistes d’une société mexicaine hermétique à l’évolution des femmes.

Frida Kahlo n’a cessé de se battre à travers son art pour la cause des femmes et des plus démunis.

Dès 1928, celle-ci s’engage dans le parti communiste mexicain, dans un pays encore trouble et instable, pour aussi s’occuper de l’émancipation de la femme, où l’homme à toujours une position machiste.

Jusqu’à la fin de sa vie, Frida Kahlo s’est battue pour ses convictions. Son talent a toujours été reconnu de son vivant.

Le corps balisé par la souffrance, le cœur déchiré par des amours sinueuses, Frida Kahlo a fait de sa vie une œuvre passionnée.
Bibliographie : "Le journal de Frida Kahlo"
" Frida by Frida" " La biographie de Frida Kahlo"
Filmographie : "Frida Kahlo entre l'extase et la douleur"
"Frida" "Frida, nature vivante" , ... 
©lilolou.art
Lilolou.art “Frida Kahlo”
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Since ancient times any prints left on the ground attracted the attention of people from ancient times.
An imprint is a trace left by nature or man in time and space, a testimony of the past that we find in the present it is a sign of permanence in an everchanging world. In order to gane a more complete understanding of the processes of evolution, its causes, it is necessary to gradually restore the line of life, digging its fragments from the bowels of the earth, the most important repository of artifacts.
Daniil Arkhipenko “Observer”
70 x 70 cm
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Since ancient times any prints left on the ground attracted the attention of people from ancient times.
An imprint is a trace left by nature or man in time and space, a testimony of the past that we find in the present it is a sign of permanence in an everchanging world. In order to gane a more complete understanding of the processes of evolution, its causes, it is necessary to gradually restore the line of life, digging its fragments from the bowels of the earth, the most important repository of artifacts.
Daniil Arkhipenko “Track”
200 x 120 cm
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for sale
Margarita Baranova “Mysterious forest”
4 x 200 cm
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Since ancient times any prints left on the ground attracted the attention of people from ancient times.
An imprint is a trace left by nature or man in time and space, a testimony of the past that we find in the present it is a sign of permanence in an everchanging world. In order to gane a more complete understanding of the processes of evolution, its causes, it is necessary to gradually restore the line of life, digging its fragments from the bowels of the earth, the most important repository of artifacts.
Daniil Arkhipenko “Track”
240 x 150 cm
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Street triptych" jump " - a good, naive story. The tale of simple and eternal. Life and death. About nature, which is always in harmony and love. A jump is a moment, a second, a moment. You're here. You're gone. That's hilarious!) The picture was created in 3 days in the fabulous city of Yekaterinburg. Thanks to all the organizers, participants, volunteers of the #stenograffia festival for the help and the opportunity to realize this spontaneous art. The sketch of the picture was drawn within a couple of hours after I was sent a photo of this wall. Sable-because it is present on the coat of arms of Yekaterinburg. And the nestling of the hazel grouse and the claws of the eagle appeared as a binder. By the way, sable and eagle are listed in the red book. Take care of nature!
Bozik “Street triptych "jump"”
Russia, Yekaterinburg
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Bordalo II “Untitled”
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